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berlinerförderp rogramm künstle rischeforschung

 
 

Artistic Research Festival - Anton Kats

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

  • Artistic Research Festival, Berliner Programm Künstlerische Forschung, Anton Kats in Conversation with Rike Frank and Listening Session in the exhibition Sudnozavod, SAVVY Contemporary, 2025, Photography © Louise Boeszoermeny

What is Sonic Antifascism? Sudnozavod is a video work and music album by Anton Kats/ILYICH (Fellow 2024/25) that expands on his performance After Hope, building on its gestures, spoken words, and concert-like sonic elements to examine, grain by grain, the processes by which hope is built.

At the exhibition activation, a conversation took place between Anton Kats and Rike Frank, interwoven with a listening session of the album Sudnozavod, which „listens into crisis without ethical certainty, asking instead: what is the response-ability of an artist in a time of rupture, and what kinds of listening might sustain hope, support resistance, and imagine existing otherwise?“

Location: SAVVY Contemporary
Time: 2 November, 3–5 PM
Language: English with translation to German Sign Language
Free Entry

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